Graphic Facilitation Workshop ‘Rosviz’ 2015

Graphic Facilitation Workshop ‘Rosviz’ 2015 | Michelle Laurie rants and raves reminds us that it is that time again… drum roll….

Graphic Facilitation Workshop ‘Rosviz’ 2015

Welcome to the 6th Annual Graphic Facilitation Workshop July 13-14, 2015

Location: Beautiful Rossland, B.C., Canada 

Imagine you are planning a project, facilitating a meeting or writing a report. Putting words on a page assumes people will understand them exactly.  Adding visuals invites conversation, discussion and exploration. Visuals spark the imagination, help communities plan their futures and help groups track progress. This two-day experiential workshop provides the skills and confidence needed to use a range of visuals in your work and engage beyond words.

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Day 1: I CAN DRAW – Hands-On Writing on Walls 

Warm up Circles-LinesIMG_1105

IMG_0423The first day, we will start out by touching the paper, playing with the pens and loosening up our drawing muscles. We’ll silence those pesky inner censors and address the basics of “drawing on walls” including basic shapes, lettering and some initial iconography. You will learn a variety of ways to draw faces and people, an often intimidating but key element for visual engagement. We’ll cover basic techniques and tricks that enable any of us to draw as a way of capturing and communicating ideas with each other. At the end of the day, you will apply your skills by visually planning a real project or meeting you have.  Facilitation techniques including icebreakers, giving and receiving feedback and flip chart enhancements will be interspersed throughout the day.

Day 2: Using Visuals For Group Processes & Facilitation Methods 

IMG_0190 Assisting a facilitation challenge using the Samoan Circle.

The second day we will apply our graphic skills in practice.  We will explore how visuals can enhance group processes such as planning, meetings and evaluation. We will create mind maps, mandalas and a range of practical templates.  We’ll look at the use of visuals and participatory graphics (where the pen goes into everyone’s hands) with group facilitation methods such as World Cafe, Open Space, Appreciative Inquiry, and others. We will pay attention to preparation, the actual visual work, and follow up including digital capture of paper-based images. There will be time for lots of practice, feedback and facilitation support.

Throughout the two days you will have a safe, supportive (and fun!) space to practice and build confidence for real work settings.  We also host a community of practitioners online who give constructive feedback and support long after the workshop is over.

“Thanks so much to both of you!  It was an exceptional workshop and we both got a lot out of it on many levels.  You packed it full and yet it felt so fun and energizing!” (Paula Beltgens, 2014 workshop participant)

This workshop is for you if:

–       You plan a lot of meetings and want to make them more engaging, participatory, and meaningful;

–       You do planning, strategy and assessments;

–       You help groups make sense of complex ideas;

–       You want new ideas on how to make your reports, presentations and videos more visually appealing;

–       You want to be more engaging with groups;

–       You want to hone your current practice; or simply…

–       You are looking for a giant boost of inspiration, creativity and fresh ideas!

You might be a facilitator, community planner, team leader, trainer, teacher, project manager, marketing guru, organizational development consultant…everyone is welcome.

“I wanted to send a quick thank you for hosting such a wonderful workshop. I had a fabulous time and learned a lot, even though I already took the workshop 4 years ago I was thrilled to have the opportunity to take again. The content is rich, the hands on application powerful, the people genuine and the instructors first class. Being immersed in this creative process for two whole days is an amazing experience, I would recommend it to anyone interested in learning more about graphic facilitation and how it can help positively transform group process.” (Fern Sabo, 2x participant, 2010 & 2014)

You do NOT need previous experience or have to consider yourself an artist. At some level, we can all draw and use simple visuals to enhance our communications and engage diverse audiences.

As one participant said:

“Learn to draw with wild abandon! Take this course!” (2013 participant)

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Check out our reflections and photos from 2013 workshops here and here, and the Harvest from the 2012 workshop here and one participant’s Prezi showing the rosviz12 Harvest Journal!

Here is more about what people are saying about our workshop:

“Wonderful workshop – best learning experience ever!”

-Leva Lee, BC Campus (2013 workshop participant)

“Thanks Michelle and Nancy – the workshop was amazing – I am already craving more!”

-Janice Watt, Interior Health Authority facilitator (2013 workshop participant)

“I am still on cloud 9 after the Graphic Facilitation workshop. Thank you soooo much. I feel recharged after that! You two are such great facilitators.  You were willing to bend over backwards to ensure we were comfortable and enjoying ourselves/ learning to our full potential.  There wasn’t a moment that I was not completely engaged during the workshop. “

 -Maddy Koch,
 Community Planning Assistant (2012 workshop participant)

“The graphic facilitation workshop that Michelle and Nancy provided for Alberta Agriculture staff in fall 2011 was fantastic!  They began by setting the stage through careful preparation with the intention of the participants knowing it would be a safe place to learn, stretch their abilities and try new things.  And it worked.  Participants found the workshop to be energizing, fun, and interesting, but most of all useful.  Everyone walked away with ways they planned to incorporate the concepts into their daily work to better engage co-workers, partners and clients.  From using it in everything from agendas, minutes, flipcharts and handouts; to ice breakers, meetings, and team building; to note-taking, brainstorming and other planning processes; the graphic facilitation techniques are here to stay.  A huge thank you to Michelle and Nancy for lighting the fire!”

-Sharon Stollery
, Ag Industry Extension Branch, Alberta Agriculture and Rural Development (2011 workshop)

Looking for more detailed information? Download the list of skills we will cover: Rosviz14_Tools_Takehome_List

 And More Testimonials:

“What the RosViz11 gave me was the permission to draw without having to be an “artist”. Such joy! Thanks Michelle & Nancy.”

-Laurie Webster
, Consultant with Cognitive Edge (2011 workshop participant)

“I have so many good things to say about the workshop I don’t know where to begin!”

– Sylvia Currie, Curriculum Development and Academic Growth, BC Campus (2010 workshop participant)

“I really thought the workshops was useful for me, and I’m not an artist. In a short period of time (2 days) I was able to learn simple and effective techniques to communicate basic ideas using symbols, easy figures, and colour. What I really liked about the workshops was that it was BIG. Big paper, whole body movements, large images. I’ve always drawn on small pieces of paper and this was a whole body experience!

We also did some great listening exercises where in a short period of time, we had to illustrate big ideas (that were on an audio recording). It was a lot of fun and a new challenge.

Overall, two thumbs up!”

– Rachael Roussin, Consultant (2010 workshop participant)

“Thanks for doing this again, Michelle (and Nancy!!). I highly recommend it!”

– Beth Sanders, Populus Community Planning Inc. (2010 workshop participant)

Preparation:

▪    Come prepared to get your hands dirty.

▪    Dress is comfortable clothes that can get dirty and you won’t be sad if they are stained.

▪    Bring a pad of paper or journal to take notes – unlined is terrific.

▪    Bring a digital camera to record the fruits of your labor.

▪    We will supply the basic materials for the 2 days (and you get a starter kit to take home). Feel free to bring your own set of materials to play with as well. 

COSTS: $850 CAD + GST (5%) (incl. two days training, starter kit and plenty of healthy drinks and snacks).

HOT DEAL! Bring a friend and you both get $50 off! (not combined with other offers)

Please note meals, lodging and transportation are not included.  Accommodation information available upon request.

About your hosts:

Nancy White facilitating from the inner circle.

“I am a learner, mom, gramma and chocoholic. I founded Full Circle Associates to help organizations connect through online and offline strategies.  My practices are diverse, including online interaction designer, facilitator and coach for distributed communities of practice, online learning, distributed teams and online communities, doodler and visual practitioner. I have a special interest in the NGO/NPO sector and the emerging practice of using communities and networks for work and learning. I blog at http://www.fullcirc.com/, teach, present and write on online facilitation and interaction, social architecture, social media and visual practices. I am co-author with Etienne Wenger and John Smith of Digital Habitats: stewarding technology for communities. Lately not only do I like to draw on walls (graphic facilitation), but I spend a lot of time cooing over my granddaughters!!! For more about my visual practice see http://www.fullcirc.com/about/visual-and-graphic-work/.” Nancy White

Michelle Laurie at Rosviz13

“I have a passion for helping organizations and partnerships communicate as well as improve the way they generate and share knowledge.  Lately my work focuses on helping groups create change based on their research. My work explores the interface of environment and development via strategic planning, assessments, facilitation and engagement.  I incorporate visuals wherever I can particularly with the use of participatory graphics, templates, animation and reporting.  I also use visuals in my personal life for planning weddings, newborns and travels!  I am an associate with the International Institute for Sustainable Development, a member of the International Association of Facilitators, the Canadian Evaluation Society and IUCN’s Commission on Education and Communication. I am also your main contact for workshop logistics.” Michelle Laurie

To register you must email  michelle.k.laurie(@)gmail.com to confirm your participation, provide your contact details and submit payment.

Graphic Facilitation and Sense Making > The Sum of its Arts

What follows is a mish-mashed report on an online event from December 2014. I know better than to procrastinate this long…

Last month Laurie Webster invited me to do a web gathering with her as part of a free series she has been offering. She is a pro with all sorts of quantitative processes and particularly the use of Sense-Maker ®. I like the way she thinks/does and she was totally open to a wild-hair experiment. I was not offering to share what I KNOW, I wanted to think together about what is tickling my brain.

Our pitch was simple: come play and think out loud with us.

Join me and Nancy for a fast-paced event that promises to be both practical and playful. Nancy will begin by describing how she uses visual methods in a variety of facilitative settings. Then we will discuss how these methods can both supplement and complement sensemaking and the use of SenseMaker®. The real fun will begin when registrants are invited to join Nancy in the sandbox for a real-time, “safe-to-fail” experiment using a shared online drawing tool.

Her clever partner, Stephen DeLong came up with the most imaginative title, Sensemaking + Graphic Facilitation > The Sum of its Arts. I bow down to this cleverness, and it well expresses the idea that Laurie and I had been wondering about: what is the role of visuals in the sensemaking process.

We started by introducing our fields – graphic facilitation, and sensemaking. Of course, I was being a goofball as usual. This is deliberate. Low status body language with high status verbal language = people listen differently. They can’t quite pin things down from past experience, so they are open. Thank you, Viv McWaters! That insight you shared a few years back at the Applied Improvisation conference has borne much fruit!

I’m a huge fan of graphic recording and graphic facilitation. Visuals are powerful tools. By that I mean all those wonderful things like pictures can initiate great conversations, they aren’t so explicit that we can assume we understand so we ask each other questions, “tell me the story” here, etc. Visuals are openers.

At the same time I have become increasingly troubled when I sense that MY drawing is actually taking sensemaking agency away from the people I’m supporting. My drawing, as hard as I try to be a faithful, neutral reporter, still carries my interpretation. It is what I hear and how I make sense of that. Sometimes my interpretation and synthesis can be useful. But when the drawing (or other visual approaches such as photo cards, collage, Draw With Me, etc.) is in the hands of everyone, we can both take advantage of the power of visuals, and disintermediate the sensemaking. Tracy Kelly picked up on this topic and posted a very thoughtful blog post on “Graphic Recording: how to disintermediate.” Do hop over and read it!

Combine this with the work that Laurie and her colleagues have been doing with sensemaking through the use of narrative fragments, we start getting some interesting “science fair experiments.” We started wondering out loud if people can draw their narrative fragments and if we could apply sensemaking processes to those visual fragments.

The jumping off point is we have to be comfortable drawing our silly little stick figure pictures. Oh, how repressed we are about drawing in public. So we dumped everyone into a drawing environment. No hiding!

The real fun started at about 30 minutes in. You can see a video of the whole process here, but you must register and log in. There is a 1 minute teaser for those of you who don’t want to register. (I understand!) We left the “webinar” environment and moved to BoardThing, a wonderful invention of Dave Gray and friends. We accidentally erased all the drawing we did, but I’ll share a few screenshots below. I wanted to not just TALK about participant-generated visuals, but to DO them.

First we introduced some of the functionality of Boardthing, which is a wonderful mash up of online card sorting, a shared whiteboard and a chat room. (The chat of the event is attached for your reading pleasure. ChatFromDecVizSensemakingWebinar ) We did a wee bit of card sorting (on the left of the screen shots). Then I invited a group of 9 people to start drawing on the whiteboard. We then debriefed from both the drawers’ and observers’ perspective. If you peek at the transcript, you will see that this first round was not particularly comfortable for those drawing, and a bit hard to make sense of by the observers. Then I sketched in a grid and gave a second, more focused drawing prompt. The images came faster and were easier to use to engage in the sensemaking process. We then chatted about the power of constraints!

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The hour flew by and we did not come to any momentous insights, but based on page views of the video and followup emails Laurie has received, I think we hit on something resonant. I’m not sure what to do with it next, but I plan to think/play/experiment some more. There is some distance to travel between the whole “getting people drawing” thing, and the more sophisticated sensemaking processes. My main conclusion is that using the drawings helps prevent people from prematurely coming to interpretations and conclusions. There is sufficient ambiguity to stimulate us to learn more and dive deeper, and sufficient novelty to shake us out of our “thinking ruts.” That’s good stuff. The question now is how to apply these insights usefully. For sure, it will be fun.

Finally, Susan Stewart recently started a Facebook group about webinars and reflected a bit on the process. She said it was OK to share here!

 Susan Stewart’s reflections

Just finished the webinar with Nancy White … she’s such a willing risk-taker. (We used two platforms: GoToWebinar and BoardThing (in Beta) – BoardThing for drawing together.) Many take-aways from the webinar, I will share two and I hope others who participated will share some, too!

1. TRY DRAWING: I have used white boards for things like having folks write their thoughts, plot the intersection of their previous learning experiences and their comfort with current content, dragging their name to a chair as a way of taking role and letting them claim a space in the conversation (Thanks, LaDonna Coy!)… I have not invited folks to draw…but I think I will try giving them a prompt and some instruction on how to use the tools, then invite observations by those not drawing and also by those who have done the drawing.

Interestingly, this is not about high quality art, but about iconic scrawls. Even the most rudimentary images can represent some profound understandings.

Nancy noted that drawing sometimes allows things to emerge that otherwise might not have – even the drawer may not be cognizant of what is coming forth until it is there. She did share that this can be quite powerful and suggests setting up the situation with much thought and being prepared with how to respond if strong emotions are triggered.

I think we had 47 people on the webinar from all over the world. Nancy, what is your take on the level of engagement by all participants…those drawing, those commenting and those observing? (That last group is hard to assess.) I know we had two groups of about 9 each drawing.

2. TAKE RISKS: Nancy made a comfortable environment for us to explore in. She took risks with us and was willing to deal with surprises. That spoke volumes to me about how important it is in online meetings and participatory webinars to step away from the presentation and allow time and room for mucking about together with the participants.

My experience in learning about online meetings and webinars has been mostly about exploring and risk taking. That’s one of the reasons I started this group. I learned by getting in the sandbox with others and trying things out. I’m glad that Nancy invited us into her sandbox today and I hope you’ll feel comfortable asking us to take risks with you. I feel confident that as a group we will continue to find ways to engage with participants that are creative and meaningful.

The invitation to the sandbox is open!

Learning from the “Rules” of Etegami: It is fine to be clumsy

From DosanKodebbie's Etegami Notebook
There is so much to learn from the THE THREE “RULES” OF ETEGAMI, a Japanese style of painting. I could write so much more, but it could not add to these three amazing rules.

1 The motto of Etegami is “It’s fine to be clumsy. It’s good to be clumsy.” What matters is whether or not you have put your heart into your painting, not whether the painting is a fine work of art. Your earnestness communicates to the person who receives the card, and touches his heart. Each etegami should express something of the character of the person who painted it.

2 Etegami is a one-shot deal; there is no underdrawing or practicing on another piece of paper before doing the actual painting. Every time you paint an etegami, you are, so to speak, “broadcasting live.” There is no concept of a “failed” or “ruined” etegami. Every etegami you paint should be placed in the mail box and sent on its way to someone else.

3 Unlike many other forms of traditional Japanese art, there is no “model” etegami painted by a master for you to imitate. The flowers and vegetables created by the hand of God are your best “models.” Observe these models closely before you begin to paint them.

via dosankodebbie’s etegami notebook: a review of the “rules” of etegami.

And because it is Monday and it has been so long since I posted a Monday video, here is Etegami in practice:

My Harvest from a Half Day at Seattle #Kaizencamp

Thanks to a serendipitous conversation with friends im Benson (@ourfounder), Tonianne DeMaria Barry (@sprezzatura), I was able to pop in for 1/4 of the Seattle #KaizenCamp. If I were pitching a Hollywood script, I’d say “Open Space” meets “Lean Coffee” meets “Liberating Structures.” A group of smart, engaged people conversing about ways of working in a lovely place (The Foundry) with good food and coffee.

I sat at two rounds of “lean coffee,” one about Storytelling and the Arts, and one about Knowledge Sharing. I made a couple of sketch notes and captured some of the resources and I wanted to get them up and out, tagged and tweeted, before I rushed on to the next thing. (Rushing— sucks!) So here we go…

Storytelling and the Arts

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URLs/Resources Shared:

 

Knowledge Sharing

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URLs/Resources:

 

From Faster than 20: Civic Engagement Funders Aligning for Impact

I’m running like a maniac today, but this post from Eugene Eric Kim is to spot on to pass by. My highlights are the attention to online meeting design, shared visuals and slowing down to really notice what is going on. I hope that makes you want to click in and read. Image from the blog post by Amy Wu. Click to see the whole thing!

Civic Engagement Funders Aligning for Impact

Civic Engagement Funders Aligning for Impact.