Full Circle Associates

In lieu of a Monday Video, I am going out of character and posting a Monday Joke. I am not known for either my love of or telling of jokes. But this one is a keeper.

There has been a humorous thread on the Online Facilitation list this past week, started by the wise and witty Rosanna Tarsiero. You can see the original trigger post here: Message: How many list members does it takes to change a light bulb?. Read the responses to see the additions!

How many list members does it take to change a light bulb?

One to change the light bulb and to post that the light bulb has been changed.

Fourteen to share similar experiences of changing light bulbs and how the light bulb could have been changed differently.

Seven to caution about the dangers of changing light bulbs.

Seven more to point out spelling/grammar errors in posts about changing light bulbs.

Five to flame the spell checkers.

Three to correct spelling/grammar flames.

Six to argue over whether it’s “lightbulb” or “light bulb” … another six to condemn those six as stupid.

Fifteen to claim experience in the lighting industry and give the correct spelling.

Nineteen to post that this group is not about light bulbs and to please take this discussion to a lightbulb (or light bulb) forum.

Eleven to defend the posting to the group saying that we all use light bulbs and there fore the posts are relevant to this group.

Thirty six to debate which method of changing light bulbs is superior, where to buy the best light bulbs, what brand of light bulbs work best for this technique and what brands are faulty.

Seven to post URLs where one can see examples of different light bulbs.

Four to post that the URLs were posted incorrectly and then post the corrected URL.

Three to post about links they found from the URLs that are relevant to this group which makes light bulbs relevant to this group.

Thirteen to link all posts to date, quote them in their entirety including all headers and signatures, and add “Me too.”

Five to post to the group that they will no longer post because they cannot handle the light bulb controversy.

Four to say “didn’t we go through this already a short time ago?”

Thirteen to say “do a Google search on light bulbs before posting questions about light bulbs.”

Three to tell a funny story about their show dog and a light bulb.

AND

One group lurker to respond to the original post 6 months from now with something unrelated they found at snopes.com and start the thing all over again.

(Photo by jagoLIVE)

The challenge of parallel sessions is you have to miss something, particularly if you are playing a lead role in your own session. Makes it hard to skip out. There were two sesssions I really wish I had not missed. One was Dave Olson’s F*ck Stats, Make Art Dossier.

Apparently, Dave was on the same stream as our “Writing on Walls” session - tapping into our creativity. I’m glad the session was recorded and blogged. It was interesting to see that there were quite a few sessions that pinged on a central core of creativity.

I also missed Alan “cogdog” Levine’s preso on 50 Ways to Tell a Story. I’ve been following the evolution of this presentation since last summer and was looking forward to the “live” version, but I was deep in a conversation with Dave Pollard and one does not drop the chance for a great conversation. So Alan, know I was beaming you and I’ll look for Injenuity’s video.  (And I’m glad, Alan, you caught Scott Leslie’s “Trackback Love“. Geek poetry!)

(Photo by Robert Scales )

I mentioned yesterday that I led a session on drawing at Northern Voice yesterday. I invited people to be fearless, to draw and to share their drawings. But I forgot how that can trigger deep things in us. My friend Julie Leung pointed me a blog post about an experience of a person in that session, and I am shaken. The blogger has no comments on her blog so I am going to try this. First here’s a link to the post. Read it if you care about people. (and context) NorthernVoice.

Dear Meg

Meg, Meg, Meg

I want to both apologize to you and to thank you. First, apologize because I made light of something important and, as I understand it from your blog post, difficult for you. Second, to thank you for your bravery and what you helped me learn. I feel absolutely torn that we did not get a chance to talk about this and I invite that opportunity if you’d like to.

I learned two very important things as I took my flying leap into this experiment - and one was the reinforcement of the power that drawing can unlock things within us. The second was I need to be more gentle and loving when I offer the invitation to unlock whatever it is we have locked within us.

I feel like I have abused you. I deeply apologize. And I thank you so much for blogging about it and allowing me to learn this.

Nancy

(I found an email and sent the above to Meg)

As I read Meg’s post, I recalled the day I unlocked my inner artist as an adult. I was attending a weekend-long introduction to painting workshop at a local community college. “Beginners welcome.” We explored black and white. We mixed colors from the three primary colors. We painted with blindfolds and, important for me, with our fingers.

There I was in an old shirt, fingers swirling with acrylic paint feeling the roughness of the primed canvas. Our teacher invited us to think about our lives. I can still recall how my arms and fingers started pulling on their own, dipping into more and more red paint. The angry colors flooded the canvas. I did not know how angry I was, how I was holding all that anger inside of me. I was a nice young mom. I had a great job but I was working for a hurt, damaged man who did all he could to hurt and damage us, especially the women who worked for him. I used to come home and in the shower, curse his name. I wrote his name on the bottom of my shoes. And here all this anger and even hate was coming out of my fingers, channeled through the paint.

On Sunday morning, we were invited to show our paintings and, god help me, talk about them. And there I was, like Meg, with my guts on the canvas and having to talk about it in front of all these people. I started crying. And all that anger that I felt, as a “good girl” came flooding out. Like a gashed artery.

All for a bit of paint, or a marker on a paper, and an invitation to express what is truly inside of us. From an ice cream, to our pain.

Meg, again, I both thank you and ask for your forgiveness.

I had a ball leading a session today at Northern Voice. I have lots of pictures, more reflections, etc. But that can wait to later. In the mean time (and in case there is no “later”) here is the link to the wiki page and the slides. northernvoice wiki / How I slowed down blogging and started drawing on walls

| View | Upload your own

northernvoice wiki / Multilingual blogs

I have some notes up - not edited yet, but if you are interested in multilingual blogging and websites, check it out. It would be great if you added examples, links. We have a tag going multilingual_bloggers on del.iciou.us

Live blogging caveat applies to live wiki-ing as well. I WILL make typos, miss things and make mistakes. And I won’t write down what I said.

This is too great not to reblog. Found via Jeremiah. Life Process Of A Community: Redux

Waving from NorthernVoice. Not sure how much I will blog and how much I will draw.

Last week I wrote briefly about the recent Forrester report on building online communities for marketing. Jeremiah Owyang followed up with me and gave me a copy of the report to read. House painting derailed my intent to read it last week and and post my thoughts, but a few quiet hours before Northern Voice in my room up here in Vancouver BC finally gives me the opportunity to reflect on the report.

First, it is a very nice compilation of solid, basic advice on building commercially oriented communities. There isn’t anything particularly unique about the content. It is common sense you can find by combing through what is offered on the net. As usual, the value is in the compilation. But here is where I have to confess. I have read VERY few analyst reports. I work in the non profit world where such products are rarely affordable. I think I had this fantasy idea of what they would be like. I expected some secret sauce. Maybe I know online communities so well that I forget that this stuff is NOT basic knowledge. So I have to wonder about the market for analysts reports. Clearly I am naive!

That said, here are the things that struck me as highs and lows of the report.

Highs:

• It is succinct. Something I am terrible at!
• It focuses on the community members and their needs - be in service to your community
• It offers sound advice for both resourcing a community and being clear on the goals and how they might be tracked. (I’d suggest linking to Beth Kanter’s great stuff on ROI. I need to find the links)
• Solid advice on community management (very happy to see this validated)
• A good attempt to frame community planning in terms of community activity needs rather than from a technology position.
• I was THRILLED to see the advice to make sure you don’t get your community data locked into a platform. This is really important and a lot of people miss this one.

Some of my critiques:

• As I mentioned in my previous blog post, the image about community growth does not give an accurate picture of community life cycle. Communities ebb and flow. Membership turns over. Communities do not grow out and out. It is more like a recursive spiral. Networks, however, can bring life into communities and nurture the emergence of new communities. They are far more scalable than communities, but harder to both measure and “manage.” Which leads me to my next point.
• The report doesn’t fully address or distinguish this very interesting intersection of communities and networks. There is one mention of “a group within an existing social networking site” but this is a huge sweet spot. I suspect most commercial endeavors really want to foster both a network and the communities that form within it. (I define communities as a bounded set of people interacting with each other - not just with content - around some shared purpose over time. So one time use does not a community member make! ) If I were exploring an “online community” strategy for my company, I would not do it without a network strategy as well. I could prattle on about this forever, but I can’t miss the party tonight…
• This raises the issue of identity, which wasn’t present in the report. Identity is a tough topic for an intro piece, but in the end, people define themselves by their identity as an individual (how they show up in a community) and as a member of a community (I am a member of the X community.) There is mention of profile tools, which help manifest identity, but not about how community hosts can nurture a sense of individual and group identity in a community. Identity is a core aspect of brand loyalty. So some attention to how identity shows up and can be nutured is a key strategy.
• From a design standpoint, I think this point is made, but I also think it could be stronger. You need to work with your developers to develop both the technical AND social architecture. Some tools for example, while they look like “conversation” tools, in practice they aren’t and thus don’t support a social conversational architecture, even if the vendor claims they do. There are some great developers who really understand social architecture and there are a bunch who think they do. This is a slippery slope/trap.
• Visual design is not mentioned. I used to dismiss this as secondary. Boy, was I wrong. Visual design that is appropriate to the target audience in critical. I learned this with http://www.shareyourstory.org. Visuals tie to identity, to navigation, and distinguish your community from the hundreds of others out there.
• How to work with “the competition.” Like I said, there are hundreds of other communities out there. Is your strategy to work with or fight against that dynamic? Do you make it easy for your members to move across their communities or do you want to be their central community? The latter is getting harder and harder to do. That’s why (and the report mentions this) thinking about working with a FaceBook strategy might make sense. Having multiple ways for your members to interact in your community that make it easy, while still maintaining enough distinct identity that they IDENTIFY with you.

All in all, it is very cool to be able to read and publicly critique the report. Jeremiah walks the talk of transparency and participating and listening to his network and communities. It is only a pity that the readers of the report may not see this practice in action. It could inform their community strategy as much, if not more, than reading the report. Because supporting online communities is not a formula. It is a practice. And practices have to be… well… practiced!

Well, it isn’t Monday (for Monday Video!) but this one is worth sharing. YouTube - You Walk, the Country Walks

Alert: Ramble post coming up…

I wake up this morning at 5am, knowing I have to cram two day’s worth of stuff into today. Tomorrow I head up to Northern Voice in Vancouver, B.C. and today I play hooky for 5 hours to to indulge my love of gardens at the Northwest Flower and Garden Show. I worked/played late last night to experiment with being an in-world graphic recorder in Second Life, stepping away from the computer only after 9pm and having eaten dinner while at the computer. (I RARELY do that.) Oh, and I stayed up too late last night, hooked in to the movie, Michael Clayton.

So there I am, standing at my tiny kitchen counter waiting for the tea water to boil, realizing I had not even looked at yesterday’s paper. I scan the front page of each section and stop when I see this article: Entertainment | Hope Wechkin — physician, violinist, singer, actor in the Seattle Times. A violin playing soprano, actor, physician and head of a pallative care unit?

Integration.

There is something drawing me these days to people and practices that cross traditional boundaries to help us be in, see and experience our work and our worlds in new light. Thus my recent obsession with visual thinking, and graphic facilitation. Why I am leading a session at Northern Voice on “Why I slowed down blogging and started drawing on walls.” Why I think I write more clearly after I practice yoga. I know that brain research has show how we can access more in our brains by having strong connections between the various parts of our brain. But I’m fascinated by how it feels and operates in daily life. I want to explore the impacts of integrating things into my work with online and F2F groups. I want to know how to do it, how to talk about it - with diverse groups so it has meaning to the agricultural researchers and those worrying about building a more compassionate world.

First, a bit about Hope Wechkin, who, as the paper headline says “physician, violinist, singer, actor - doesn’t approach anything halfheartedly.” Hope (I feel compelled to speak of her intimately, not as Dr. Wechkin, for some reason) is currently performing a self written, one woman show here in Seattle, “Charisma.”

A great believer in the power of music, Wechkin says it can “reach beyond words and beyond medicine.” She sometimes brings her violin into the hospice (Evergreen, in Kirkland, is the only inpatient hospice in the region) and plays for patients, watching the effect of music on the body’s different systems and seeing the pleasure the patients feel in what they hear.

In the piece, Hope plays 12 characters. The set is apparently a hospital bed and the costumes a hospital gown and a different pair of shoes for each character. There is a song for each. The play is about the advice others give to a terminally ill patient. Here is what Hope said in the article.

I want musicians to know about this,” she says. “You can get so battered down by the music profession. But I feel the real work is playing not where it is a competition or a job, but where it is transformative, and you can see how it transforms lives.”

Music transforms lives. We can nurture the different parts of ourselves. A picture paints a thousand words. A poem opens up new worlds. A doctor can bring her art into her profession of tending to the end of people’s lives, a time in medicine where she says “I think I have stumbled on a gem in health care. Then end of life puts everything in focus and the important things rise to the surface.”

In this online world of text, the explosion of video and photography has changed the landscape. But our forms are still fairly segmented, separate. What should we be paying attention to in our diverse practices that brings the parts of the brain together, our intellect and our hearts entwined, drawing upon different modalities?

What sort of integration should we be paying attention to?

Photo is link to the Seattle Times by BETTY UDESEN / THE SEATTLE TIMES
If this is improperly linked, folks at Seattle Times, please, let me know. It was such a great photo I wanted to draw people’s attention to it!