Full Circle Associates

On Tuesday, while I was doing small scale graphic recording of the Interfaith Panel at Seeds of Compassion (and deeply enjoying the humor and humanity between His Holiness the Dalai Lama and Archbishop Desmond Tutu!), I had the good fortune to be sitting right behind Deborah Koff-Chapin. Deborah does Touch Drawing and on Tuesday, she was using it to evoke what she was experiencing during the panel. Page after page of her work appeared, like magic. All the press photographers (we were sitting in the press section) kept coming over, taking pictures and asking her about her work. I have been reading about Deborah’s work, so it was a great chance to watch her in action.

She has allowed me to share a set of photos of the work she did that day on my Flickr site. I encourage you to check them out –> Deborah Koff-Chapin’s Touch Drawing at Seeds of Compassion - a set on Flickr.

Deborah wrote about the experience:

It was an honor to do Interpretive Touch Drawing at Seeds of Compassion. Touch Drawing is a simple yet profound process. Images are created through the touch of fingertips on paper. The process allows for direct expression of the soul, and can be used for deep therapeutic and spiritual purposes.

In the conference setting, I use Touch Drawing to visually portray the content and energetic qualities of the lectures and musical performances. Through the immediacy of the process, I can create 7- 8 drawings per hour. These drawing were created during the Tuesday event; ‘Inspiring Compassion
in Our Youth; Youth and Spiritual Connection Dialogue’. If you attended the day or are watching it online, you can use these images to enhance the feeling-tone of the presentations. Think of them as notes from the soul.

All these images will be posted soon on the CONFERENCE ART page at www.touchdrawing.com. Go there if you would like to order a signed, archival fine art print. Contact center@touchdrawing.com if you are interested in purchasing an original or receiving permission to reproduce an image. Drawings can be enhanced with color. A percentage of any income generated by these images will be donated to support the ongoing work of Seeds of Compassion.

As I reflect back on the day, we had Steven and Patti’s large scale 4×8 foot charts on paper, my 8×11 inch sketch book images and Deborah’s Touch Drawings. All four of use were capturing at many levels - at the literal capture of ideas through words and images, of the sense and spirit of the gathering and, of what was triggered within us as participants in the gathering. It was heart, mind and soul. I am preparing some collage images for each of the other graphic recorders for a subsequent post. I want to reflect on our process as a group of graphic recorders (and impromptu singing group. “The Magic Markers”) and capture some learnings going forward for visual harvesting of F2F events.

All images © 2008 Deborah Koff-Chapin.

I awoke before dawn to many birds singing, then a beautiful sunrise. An auspicious start for Seeds of Compassion , a 5-Day Gathering in Seattle with his Holiness, the Dalai Lama and a huge community of people who care about the role of compassion in the lives of children. This morning I attended the session on the Science of Compassion, and am currently listening to the live stream of this afternoon’s second science day. Archived materials are being translated into 24 languages. That is a mind-blowing, bridge-building commitment. (The image to the right is a close up of Tim Corey’s work)

Experiencing the Dalai Lama
You hear about this remarkable human being — of his warmth, humility and compassion. Even from high in the stadium stands, I felt this. Such humor too… his twinkle twinkled across the stadium. He spoke without pretension, took his time and radiated calm. While I was intellectually engaged with the offering of the panelists (and they came across very compassionate themselves), I found myself just experiencing his Holiness. Sometimes I could not understand with the amplification and echoes, but that didn’t seem to matter. It mattered that I was able to just be there.

Graphic Facilitation at the Seeds of Compassion
I’m also a Seeds volunteer over the next 5 days, helping with the graphic recording of many of the events and welcoming people to put their mark on paper in the Conversation Cafe room where people can debrief and talk with each other about their experiences over the 5 days. Today Patti Dobrowolski and Timothy Corey recorded. You can see photos here. Our full team also includes Keith McCandless, and Steven Wright. I am thrilled to be able to watch and learn from them, as well as provide a contribution to the event WITH them.

Today after the morning event ended, I hung out while Tim and Patti completed their charts. It was wonderful to see people look at them, remark at how it helps them remember what they heard, and their amazement that “they drew this DURING the presentation!” For me as a newbie practitioner of this art, it was immensely useful to see their two different styles and watch their final additions.

I’m looking forward to five days of learning, community and compassion. It seems a fitting entry point to my 50th birthday on April 15th.

Last week at Nexus for Change 2 we had an evening of the arts for change. We had Playback Theatre from our full arts team (who recruited me - that was fun! You can see some video clips here, here and here), juggling from the amazing Tom Sparough and song from Timothy C. Van Ness and we even drew together. Taking an idea from Johnnie Moore, we did a pairs drawing exercise, continuing on my inquiry into visual expression as a mode of interaction and learning together. Here is a short video of one pair drawing together.

YouTube - Drawing Together Exercise

Here are some of the beautiful faces they drew together:

You can see the pictures more clearly in the Nexus set on Flickr.

And some stills from Playback Theatre

Peter Block made an observation on Tuesday that really hit home for me. He said something to the effect that we resist change done unto us, but we embrace change that helps us stay who we are. Somewhat paradoxically, it is in the preservation of self that we embrace change.

So does change always have to be serious and gut wrenching? Or can we play, singe and draw our way through transformation? I think we can. And perhaps we MUST!

For more on Nexus, see our wiki.
More videos here.

I’m not in Austin for the perennial geek culture fest that is SXSW. But via Twitter and blogs, I’m getting some vibes all the way up here in the northland.

My friend and artist Honaria Starbuck is doing some on the spot paintings of the panels she is attending. She is also including some short poetry. It is an evocative way to share what is going on, very personally filtered through Honaria. Here is an example from Andy Beal’s panel (her picture to the right). You can see all of her painting posts here.

This is yet another example of visual conference capture. Low tech, unlike the work of David Sibbet at TED I blogged about earlier this week. When we think about “harvesting” and “sharing” what is going on at a F2F event, the options are widening. No longer are we limited to text live-blogging, or photo streams. These artistic endeavors capture a “sense” and, for me, enhance the more literal text and audio captures.

Oh, I want to watch this!

David Sibbet: TED2008: The Big Questions

This from David:

We’ll be doing this using the latest Wacom Cintiq tablets and beta versions of Autodesk’s Alias Sketchbook Pro. Our drawings, some 5-15 for each speaker, will be saved and accessible on a huge portfolio wall with multi-touch capability. If you’ve seen the movie Minority Report,or used an i-phone, it allows that kind of manipulation of imagery. You can pinch-reduce pictures, rotate them, sort them, move them around — all by touch.

I don’t know what we will produce, but it will be integrated into a book about this year’s TED, focusing on the theme The Big Questions. We’re calling ourselves “visual cartographers,” and I’m focusing on making not only the big questions, but the patterns that connect these ideas visible.

I had a ball leading a session today at Northern Voice. I have lots of pictures, more reflections, etc. But that can wait to later. In the mean time (and in case there is no “later”) here is the link to the wiki page and the slides. northernvoice wiki / How I slowed down blogging and started drawing on walls

| View | Upload your own

Alert: Ramble post coming up…

I wake up this morning at 5am, knowing I have to cram two day’s worth of stuff into today. Tomorrow I head up to Northern Voice in Vancouver, B.C. and today I play hooky for 5 hours to to indulge my love of gardens at the Northwest Flower and Garden Show. I worked/played late last night to experiment with being an in-world graphic recorder in Second Life, stepping away from the computer only after 9pm and having eaten dinner while at the computer. (I RARELY do that.) Oh, and I stayed up too late last night, hooked in to the movie, Michael Clayton.

So there I am, standing at my tiny kitchen counter waiting for the tea water to boil, realizing I had not even looked at yesterday’s paper. I scan the front page of each section and stop when I see this article: Entertainment | Hope Wechkin — physician, violinist, singer, actor in the Seattle Times. A violin playing soprano, actor, physician and head of a pallative care unit?

Integration.

There is something drawing me these days to people and practices that cross traditional boundaries to help us be in, see and experience our work and our worlds in new light. Thus my recent obsession with visual thinking, and graphic facilitation. Why I am leading a session at Northern Voice on “Why I slowed down blogging and started drawing on walls.” Why I think I write more clearly after I practice yoga. I know that brain research has show how we can access more in our brains by having strong connections between the various parts of our brain. But I’m fascinated by how it feels and operates in daily life. I want to explore the impacts of integrating things into my work with online and F2F groups. I want to know how to do it, how to talk about it - with diverse groups so it has meaning to the agricultural researchers and those worrying about building a more compassionate world.

First, a bit about Hope Wechkin, who, as the paper headline says “physician, violinist, singer, actor - doesn’t approach anything halfheartedly.” Hope (I feel compelled to speak of her intimately, not as Dr. Wechkin, for some reason) is currently performing a self written, one woman show here in Seattle, “Charisma.”

A great believer in the power of music, Wechkin says it can “reach beyond words and beyond medicine.” She sometimes brings her violin into the hospice (Evergreen, in Kirkland, is the only inpatient hospice in the region) and plays for patients, watching the effect of music on the body’s different systems and seeing the pleasure the patients feel in what they hear.

In the piece, Hope plays 12 characters. The set is apparently a hospital bed and the costumes a hospital gown and a different pair of shoes for each character. There is a song for each. The play is about the advice others give to a terminally ill patient. Here is what Hope said in the article.

I want musicians to know about this,” she says. “You can get so battered down by the music profession. But I feel the real work is playing not where it is a competition or a job, but where it is transformative, and you can see how it transforms lives.”

Music transforms lives. We can nurture the different parts of ourselves. A picture paints a thousand words. A poem opens up new worlds. A doctor can bring her art into her profession of tending to the end of people’s lives, a time in medicine where she says “I think I have stumbled on a gem in health care. Then end of life puts everything in focus and the important things rise to the surface.”

In this online world of text, the explosion of video and photography has changed the landscape. But our forms are still fairly segmented, separate. What should we be paying attention to in our diverse practices that brings the parts of the brain together, our intellect and our hearts entwined, drawing upon different modalities?

What sort of integration should we be paying attention to?

Photo is link to the Seattle Times by BETTY UDESEN / THE SEATTLE TIMES
If this is improperly linked, folks at Seattle Times, please, let me know. It was such a great photo I wanted to draw people’s attention to it!

I did my first graphic recording gig in Second Life tonight for a Rockridge Institute gathering. It started with a telephone presentation by George Lakoff, then an hour of Q&A on the phone. After that about 20 of us did a virtual World Cafe in Second Life. This image is the recording of the harvest.

Time to disconnect now!

Spread a little visual language. Join the theartoffee: POST IT NOTE! project on February 1st.

Argh, I have been wanting to finish this blog post. Work is crazy, so I can’t be as complete as I’d like to be, but I have to get this out. There is so much incubation going on in my head about visuals, and not enough time to release it all into the wild!

This past week as part of the Future of Learning in a Networked World 08 “event” we did a session on Drawing Together Online. Leigh Blackall arranged for us to use Otago Polytechnic’s (corrected - thanks Leigh) Elluminate room. Elluminate has a shared white board. Hmmm… possibilities. Could we draw on paper then take digital photos or scans and upload to Flickr? Draw together on the white board? The key was I wanted to create an irresistible invitation for everyone to draw something during our hour together.

We started off with a few ruminations and images from me. Leigh gave us a short lesson on drawing human figures then we just jumped in. And the white board became the center of attention. At first it was chaotic. Then we played with constraints. A theme. A request to work smaller and slower. We reflected on how we felt looking at the images. How we felt when we could not find space to make our mark, or when it was erased by someone else - and not being able to know quickly who it was. We talked about our inner censors, keeping us from drawing. How they came to us as childhood melted into adulthood.

I had a great time. For me, it was a wonderful session. The Elluminate Recording is here. A montage of some of our drawings is below as well as a link to Flickr: Photos tagged with drawingtogether

I invite any of the people who played together that day to share your impressions as well. Some of us said we want to do more exploration of drawing together online. YES!

1. flnw_ambivilance_2, 2. Commute, 3. flnw_coffee, 4. My Texturized Cofee Picture, 5. cogdog’s texturized coffee picture, 6. flnw_boundaries, 7. flnw_ambivilance, 8. I Need MORE COFFEE (PicNik-ed), 9. Our first collaborative drawing, 10. I Need MORE COFFEE, 11. Coffee, 12. Our first collaborative drawing

While we are thinking about visual thinking together, here is another amazing link of a video that really uses visual thinking, from Christian Nold at PopTech. follow that link to take a look at this video. (Edited to remove the embed because it kept auto-playing, driving some of us nuts.)