Full Circle Associates

Doug uses A N I M O T O to mash up photos and music to document a panel Chris Lott organized at Northern Voice 2008 on “The blog is dead, long live the blog!” It was fun graphically recording a geeky session. Now it is fun to see Doug’s take on it, months later! Woo hoo!

Like a magpie, I love shiny things. I love beautiful things. Today, I am still in immense gratitude for a gift of photographic art from Chrys Florkowski. But as many of you have noticed over the years, I never really have had a logo or look for my little company, Full Circle Associates.

About a month ago something took me to the art/craft community of Etsy.com and I started to think, hey, maybe someone here can help me with a business card. (I have been making ugly ones myself for years!) I browsed and found two designers and signed up - an identity package from Nicole Byrkit and a business card design from Michelle Brusegaard. Today I asked Nicole if I could share her designs with you, and she said yes. (I have not asked Michelle yet.)

So here they are, four ideas. I’d love your feedback. 1, 2, 3, and 4. Colors and final details are all still up for grabs.

On Tuesday, while I was doing small scale graphic recording of the Interfaith Panel at Seeds of Compassion (and deeply enjoying the humor and humanity between His Holiness the Dalai Lama and Archbishop Desmond Tutu!), I had the good fortune to be sitting right behind Deborah Koff-Chapin. Deborah does Touch Drawing and on Tuesday, she was using it to evoke what she was experiencing during the panel. Page after page of her work appeared, like magic. All the press photographers (we were sitting in the press section) kept coming over, taking pictures and asking her about her work. I have been reading about Deborah’s work, so it was a great chance to watch her in action.

She has allowed me to share a set of photos of the work she did that day on my Flickr site. I encourage you to check them out –> Deborah Koff-Chapin’s Touch Drawing at Seeds of Compassion - a set on Flickr.

Deborah wrote about the experience:

It was an honor to do Interpretive Touch Drawing at Seeds of Compassion. Touch Drawing is a simple yet profound process. Images are created through the touch of fingertips on paper. The process allows for direct expression of the soul, and can be used for deep therapeutic and spiritual purposes.

In the conference setting, I use Touch Drawing to visually portray the content and energetic qualities of the lectures and musical performances. Through the immediacy of the process, I can create 7- 8 drawings per hour. These drawing were created during the Tuesday event; ‘Inspiring Compassion
in Our Youth; Youth and Spiritual Connection Dialogue’. If you attended the day or are watching it online, you can use these images to enhance the feeling-tone of the presentations. Think of them as notes from the soul.

All these images will be posted soon on the CONFERENCE ART page at www.touchdrawing.com. Go there if you would like to order a signed, archival fine art print. Contact center@touchdrawing.com if you are interested in purchasing an original or receiving permission to reproduce an image. Drawings can be enhanced with color. A percentage of any income generated by these images will be donated to support the ongoing work of Seeds of Compassion.

As I reflect back on the day, we had Steven and Patti’s large scale 4×8 foot charts on paper, my 8×11 inch sketch book images and Deborah’s Touch Drawings. All four of use were capturing at many levels - at the literal capture of ideas through words and images, of the sense and spirit of the gathering and, of what was triggered within us as participants in the gathering. It was heart, mind and soul. I am preparing some collage images for each of the other graphic recorders for a subsequent post. I want to reflect on our process as a group of graphic recorders (and impromptu singing group. “The Magic Markers”) and capture some learnings going forward for visual harvesting of F2F events.

All images © 2008 Deborah Koff-Chapin.

Last week at Nexus for Change 2 we had an evening of the arts for change. We had Playback Theatre from our full arts team (who recruited me - that was fun! You can see some video clips here, here and here), juggling from the amazing Tom Sparough and song from Timothy C. Van Ness and we even drew together. Taking an idea from Johnnie Moore, we did a pairs drawing exercise, continuing on my inquiry into visual expression as a mode of interaction and learning together. Here is a short video of one pair drawing together.

YouTube - Drawing Together Exercise

Here are some of the beautiful faces they drew together:

You can see the pictures more clearly in the Nexus set on Flickr.

And some stills from Playback Theatre

Peter Block made an observation on Tuesday that really hit home for me. He said something to the effect that we resist change done unto us, but we embrace change that helps us stay who we are. Somewhat paradoxically, it is in the preservation of self that we embrace change.

So does change always have to be serious and gut wrenching? Or can we play, singe and draw our way through transformation? I think we can. And perhaps we MUST!

For more on Nexus, see our wiki.
More videos here.

In the continuing visual thinking vein, take a look at Mike Rohde’s SXSW Sketchnotes AND, the gift he offers with his post, Lessons Learned from my SXSW Sketchnotes. Mike’s lessons from doing Moleskin notebook sketches to capture conference sessions and experiences, then sharing them freely on flickr… pulling out a few key quotes. Go read the whole article.

A Fast Spreading Meme
I’m fascinated at how quickly the sketchnotes spread across the net. On the Tweet scan and RSS searches for my name, “SXSW Sketchnotes” were popping up all over and being re-tweeted like crazy. [Nancy’s comments - we hunger for the visual]

Readers Like Personal Accounts
…Sharing a unique, personal perspective is a powerful way to communicate. Sketchnotes are one way that attendees to the panels can re-live an experience…
[Nancy’s comments - we hunger for the personal]

The Human Touch Attracts Readers
…They’re a little imperfect, yet very readable and understandable…
[Nancy’s comments - we hunger for something we can relate to - with comfort]

Sketchnotes Awaken Memories
…Notes and sketches of my activities help me recall clear memories — even years after the trip…
[Nancy’s comments - well, as I age, I appreciate this even MORE]

New Opportunities
I’ve been approached several times this week about doing “sketchnote” style illustrations for a couple of projects. ..
[Nancy’s comments - being open and generous pays off]

Creative Commons Frees Up Images
All of the sketchnote scans and photos have been uploaded to Flickr with a Creative Commons non-commercial, attribution license, which frees people to place my images on their sites with attribution, and no need to ask permission. I love this!
[Nancy’s comments - so do I. THANKS!]

Image by Mike Rohde

Yesterday I was interviewed about “making mistakes in public” and how that allows us to get feedback and learn from others. My friend Philip Tarlow mentioned this Picasso quote to me last week, and it struck me as being about our learning edges. Doing things we aren’t quite sure we know how to do. Taking risks in the name of learning and doing.

” Thus when we used to make our constructions, we produced “pure truth” without pretensions, without tricks, without malice. What we did then had never been done before; we did it disinterestedly, and if iti is worth anything it is because we did it without expecting to profit from it. We sought to express reality with materials we did not know how to handle and which we prized precisely because we know that their help was not indispensable to use, that they were neither the best nor the most adequate. We put enthusiasm into the work, and, this alone, even if that were all that there were in it, would be enough: and much more than is usually put into an effort — for we surrendered ourselves to it completely, body and soul. We departed so far from the modes of expression then known and appreciated that we felt save from any suspicion of mercenary aims. “

Picasso, reported by Jaime Sabartes, Picasso: An Intimate Portrait, New York 1948

Image by Greg Robbins

I’m not in Austin for the perennial geek culture fest that is SXSW. But via Twitter and blogs, I’m getting some vibes all the way up here in the northland.

My friend and artist Honaria Starbuck is doing some on the spot paintings of the panels she is attending. She is also including some short poetry. It is an evocative way to share what is going on, very personally filtered through Honaria. Here is an example from Andy Beal’s panel (her picture to the right). You can see all of her painting posts here.

This is yet another example of visual conference capture. Low tech, unlike the work of David Sibbet at TED I blogged about earlier this week. When we think about “harvesting” and “sharing” what is going on at a F2F event, the options are widening. No longer are we limited to text live-blogging, or photo streams. These artistic endeavors capture a “sense” and, for me, enhance the more literal text and audio captures.

I blogged last week that David Sibbet and others were doing real time digital graphic capture at TED. David Sibbet has posted a short video of the output. It is worth a minute to click over to his blog and see it. I can tell, I need to start learning more digital visual capture techniques! David Sibbet: TED2008-BIG VIZ Production.

David writes:

Here is a short video of the work I was doing at TED2008 with Tom Wujec, Kevin Richards, and John Schmeir of Autodesk and Phil David of Perceptive Pixel. …. Tom Wujec is now making an on-line book of all our drawings that will be available at www.autodesk.com.

I’m fickle.

I forget most movies the day after I watch them. Same for most books. Rarely do I want to see or read something a second time. So Monday’s video comes courtesy of a movie I have now watched twice and am actually thinking about getting a copy of the sound track and DVD - Across the Universe . (Sorry, I did not embed it. Tech issue.)

I was wondering why I like to hear music over and over again - a different pattern from books or movies. Then I realized Across the Universe is, in fact, a musical. And the other movies I have watched more than once have most often been musicals.

What is is about musicals?

If I look at the golden age of musicals they are often racist and sexist. But they, like our society, have evolved to convey real issues.

And they have music.

The music carries two things for me. One is emotion. I think of songs as the soundtrack of my life,  and they bring both a deeper connection with the emotion of the text and they embed a memory deeper in my brain.

The other is the switch between dialog and music allows us to step outside of our daily concept of “reality.”

It is like when I’m on a plane, 30,000 miles above terra firma and I can reflect on the world in a way that is different on the ground. A step away that gives a step closer to clarity.

There is a connection here with my recent playing with visuals. The addition of a different type of aural experience changes how we perceive something. I wrote a while back about the impact of adding music as background to a focus chat.  Facilitators often prime a room by having music playing as people arrive for a gathering. My dance and yoga teachers set the tone with their choice of music.

Is a fully lived life a musical?

For what it is worth, I hope what happens at Community 2.0 does not STAY in Vegas. In May I’ll be speaking about online community history and visuals (really catchy title, eh? I need a title consultant) at Community 2.0. I picked this topic because as Etienne Wenger, John Smith and I were working on our book (yes, it is AT THE EDITORS!!) we noticed this beautiful intertwining between technology development and community - how they have impacted each other. At the same time, you know I’ve become obsessed with the visual and I have been wondering how to express this intertwining in a multimedia way - maybe even almost performance-like. Talk about stepping off a cliff with no parachute. But that’s what makes it fun. Why else take a non-paying speaking gig than to learn with friends, right?

It also is rare that I speak at non-NPO/NGO/EDU events, so this will be fun to step into a different stream and see what happens. It will be a culture shockas well in that I will be coming from a week long gig in Ethiopia. So maybe a wee bit jet lagged as well. I’m coming in a day early (not worth flying home) so if anyone wants to do something low-key, let me know. I have marked Monday the 12th for play and prep.

But wait, there’s more…

I’d also like your help. But first the logistical details.

Conference Information
Now, about the conference (and of course, that discount code I can share with you as a speaker). The conference is May 12-15 at the Red Rock Resort in Las Vegas, NV. The website is www.iirusa.com/community Your discount option is a 20% discount off the standard price on my behalf. Your personal discount code to share is: SPKRM2005NW. Please pass this along to anyone you know who plans on registering. They can register by calling 888.670.8200, emailing register@iirusa.com or visiting the website www.iirusa.com/community

A Request to You
I’d like to capture a series of written, audio, drawn and/or videoed personal histories about online community. In other words, tell me a story about your participation in online communities. What was your first time? What was the experience that was transformative for you? If you’d like to play with this, email me or leave a comment. My goal is to weave together these stories along with some historical data and trends. I’ll also be capturing personal histories from people AT the conference. If you are going and would like to help with that, I’d LOVE to have you play in this sandbox with me. I’ll buy dinner for the team Monday night, May 12th as my thank you. You would need to know how to either record audio or video interviews, take a good text interview, or draw it. Seriously - even draw it.